Between 1949 and 1953, about 2,100 “unclaimed” artworks returned to France from Germany after World War II were selected by museum professionals and labeled MNR (Musées nationaux récupération). About half of the works are paintings, while thirty percent are decorative arts, and the remaining pieces are drawings, sculptures, folk art, Asian art, and antiquities. This paper presents the so-called AOR (Antiquités orientales récupération), 31 objects entrusted to the care of the Département des Antiquités orientales, Musée du Louvre, which at the time included both pre-Islamic and Islamic objects. Research carried out by the Mission Mattéoli (1997–2000) determined that only two, maybe three, artworks are proven to have been looted by the Einsat...
While theft of art has a long history and continues to be a modem problem, the loss and destruction ...
Sequestered by the French State as an enemy asset in 1944, Kojiro Matsukata’s collection was used ...
This paper was submitted in partial fulfillment of the requirements for the degree of Master of Muse...
Despite the confiscation of many art collections, mainly from Jewish families, the Parisian art mark...
The impact of the Third Reich’s large-scale art thefts across Europe during World War II are still b...
In the period 1933–1945 the Nazis orchestrated the most massive art theft in world history. The exac...
For centuries, the desire to own art has driven many to commission, sell, and even steal the works o...
Under the code name "M-Aktion" (M as an abbreviation of the German word for furniture: Möbel), the G...
Conducted on a scale unseen before in history, the Nazi art looting operation set a new precedent fo...
Numerous paintings looted and pillaged by the Nazis during the Second World War were declared as mis...
Throughout World War II, looting was an activity that was widely embraced by Nazi Germany, the Sovie...
This article analyzes the work of the Mattéoli Commission, which was established in France in the la...
International audienceThe center of the art world before the war, Paris fired the Nazis’ greed. The ...
From the earliest civilizations, victorious armies would loot defeated cities or nations. the pract...
Throughout World War II, it is estimated that up to 20% of all of Europe’s art became the object of ...
While theft of art has a long history and continues to be a modem problem, the loss and destruction ...
Sequestered by the French State as an enemy asset in 1944, Kojiro Matsukata’s collection was used ...
This paper was submitted in partial fulfillment of the requirements for the degree of Master of Muse...
Despite the confiscation of many art collections, mainly from Jewish families, the Parisian art mark...
The impact of the Third Reich’s large-scale art thefts across Europe during World War II are still b...
In the period 1933–1945 the Nazis orchestrated the most massive art theft in world history. The exac...
For centuries, the desire to own art has driven many to commission, sell, and even steal the works o...
Under the code name "M-Aktion" (M as an abbreviation of the German word for furniture: Möbel), the G...
Conducted on a scale unseen before in history, the Nazi art looting operation set a new precedent fo...
Numerous paintings looted and pillaged by the Nazis during the Second World War were declared as mis...
Throughout World War II, looting was an activity that was widely embraced by Nazi Germany, the Sovie...
This article analyzes the work of the Mattéoli Commission, which was established in France in the la...
International audienceThe center of the art world before the war, Paris fired the Nazis’ greed. The ...
From the earliest civilizations, victorious armies would loot defeated cities or nations. the pract...
Throughout World War II, it is estimated that up to 20% of all of Europe’s art became the object of ...
While theft of art has a long history and continues to be a modem problem, the loss and destruction ...
Sequestered by the French State as an enemy asset in 1944, Kojiro Matsukata’s collection was used ...
This paper was submitted in partial fulfillment of the requirements for the degree of Master of Muse...